The Story
Poured, then
allowed to fade
Merlot in a glass is never one colour: it is nearly black where it is deep and almost rose where the wine climbs the side. The set copies that gradient exactly — dense at the free edge, thinning through the middle, gone by the cuticle — which is why it flatters hands that dark shades usually overwhelm.
The lace is drawn, not applied: a scalloped black mesh lined by hand over the cured fade, with each scallop closed individually so the pattern has a hem. Crystals are then set along the seam where lace meets wine, graded from larger at the base to smaller as they climb, so the eye travels up the nail and off the end of the finger.
Dark colours flatter when you let them fade.



