The Story
One jewel,
and the space around it
A red manicure announces itself before you do. This one waits. The rule the artisans set was that the ruby could occupy no more than a third of any tip and had to be balanced by bare nude on both sides — the same logic a jeweller uses when deciding how much metal to leave around a stone.
The drop is built in three translucent glazes so it holds true depth, dark at the centre and lit at the rim like a cabochon. The meridian is then drawn along its length in fine gold — a single line that does not touch either edge — and a crystal is bedded at each pole. Nothing else is added; the emptiness is doing the work.
The space around a stone is part of the setting.



